Since making my monumental decision to abandon digital photography and photograph with my 1957 Leica M2 exclusively for a whole year, I feel more motivated and refreshed. It’s like a heavy weight has been lifted. As you know the Leica is essentially a hand made precision instrument sans electronics of any kind. To be free of all electronic control is a truly liberating experience. No batteries and no meter. To use a single prime lens, in my case a 1957 Elmar 5cm f/2.8 is equally refreshing. Quite quickly one begins to “see” in the focal length of the lens, you begin to visualise your composition even before making the exposure. One thing I have also found to be stimulating is using the “Sunny 16” method to evaluate exposure. Upon seeing the developed negatives emerge from the tank is a tense, but ultimately rewarding experience. Even when exposing under mixed lighting conditions not one frame is a bad exposure. I do not have the opportunity to travel far so my photography is confined to a rather local area, one to which I can quickly travel. This means one has to work hard to find interesting subjects to photograph. I would love to hop in the jalopy and spend a weekend in the Lake District, but alas! I have a “normal” life.
See what you think from this series made last weekend and during the week? All photos are Fuji ACROS 100 in Adox FX-39 exposed with the Leica M2 and 5cm Elmar. Fuji ACROS 100 is an excellent film, sharp, low grain, loads of tone. I am expecting Fuji to kill it, just like they did with the excellent and brilliant Neopan 400. FUJI – I DON’T LIKE YOU AT ALL!!!!! DON’T KILL ACROS and BRING BACK NEOPAN 400 – PLEASE!